Friday, December 24, 2010

Christmas Eve, Charlotte International, 10:47 p.m.

CHRISTMAS EVE, CHARLOTTE INTERNATIONAL, 10:47 P.M.

Based On Actual Events

By

Andrew J. Clark

The plane finished its rumbling trek across the tarmac and rolled to a stop amongst blustering drifts of snow. There was a ding as the fasten-seat-belts sign switched off, and I gathered my things, breathing a heavy sigh. I moved slowly, as there was no rush. My connecting flight didn’t leave until almost midnight, and it never took me very long to make the walk to the gate. Charlotte was a small airport, and I knew it almost by heart, I had made the connection so many times.

I slung my messenger bag over my shoulder, and grabbed my travel suitcase and made my down the aisle, and into the terminal, all the while asking myself why I hadn’t just stayed at school. I was absolutely swamped with work, and of course two of my professors had assigned papers due the week after our return to the university. All the stress of modern travel, school, work and the holidays all culminated in a dull sort of anxiety that wouldn’t leave. I was irritated because I didn’t have enough money to buy anything for my family, and that always made me feel a little guilty and much ashamed.

I passed into the terminal and made my way to the central hub, walking along the moving walkways and gazing out the glass walls into the darkened world outside the airport. Speckled snow darted here and there in the breeze, but beyond that I couldn’t see much of anything. I never really counted airports as having been anywhere. Technically, I had been to Paris, Oman, Baltimore and Orlando; but I had never actually been there, never stepped foot outside the airports. It was like some strange in-between world, a transitional realm that harbored you on your way to the places you actually know. I had come to associate the sounds and sights and smells with that feeling. The carbonized smell of filtered airplane air, the faintly musical drone of the tired songs they pumped through the airport speakers, the half-shiny, half-fingerprinted gleam of the metallic construct of almost everything involved with travel. They all added up to that sensation, that in-between waking dream.

I breathed another heavy sigh as I realized it wasn’t just the travel that gave me that sensation. It was almost everything. It seemed like my life was one big In-Between. I was in some amorphous land, in between childhood and adulthood, employed and unemployed, student and graduated, home or away. Stuck in transition. And everything added up to the same thing – the in-between music, the in-between air, the in-between people – it all added up to nowhere. The sum was nothing.

I reached the hub and made my way through the food-court ghost-town, past the dim facades of the closed Orange Julius and the Cinnabon and the Shanghai Wok, in-between stops on an endless road. My family had convinced me to come home, and I wondered how I was going to find the energy to actually enjoy myself. I didn’t know if I would be able to.

Maybe in response to that in-between sensation, I had developed the habit of creating my own spots on my way, little places that I thought of as mine. I had passed through Charlotte International so many times that I had found one, one of several rocking chairs that sat on a balcony overlooking the sweep of the main terminal hub. The balcony was accessed by a curving staircase on either side, and I trudged my way up and plopped down in my chair, the one toward the far left. I stared into blank space for several minutes before checking my cell phone and seeing it was still before 11. I could see the big, glowing blue C that marked the concourse where my gate was located, and I settled back into my chair and waited.

I have always been an observer. It helps pass the time, and it was so ingrained in me that I did it without thinking. I began to look around the terminal and take stock of what was there. A man in a business suit attached to a cell phone, a woman with a small girl sitting in two of the chairs on the floor below, the child kicking the table-post anxiously. There was a pair of young women on the other end of the balcony that looked to be about my age. Some part of me briefly considered going to talk to them, but then another part of me dismissed it as pointless. I didn’t feel like dealing with the looks of dreadful surprise when they thought that I was hitting on them.

There were several others scattered within my view all with the same look about them, the same look I’m sure I had about me: the look of transition, the look of someone just waiting to be somewhere where they can rest. I settled back into my chair, pulled my bags a little closer to me and sighed again, listening to the hum and murmur of the airport. There was an empty bar below with a grand piano next to it, a gift shop across the way, and a newspaper stand back the way I had come. It was late, so it wasn’t very loud, and the whole place had an air of pre-abandonment, stores shut down and every person waiting to make their exit.

Out of the hush came a faint squeak. It was one of those noises that you don’t register until it’s been sounding for a while, and when your mind finally notices it, you realize how it’s been annoying the back end of your brain for quite some time. I leaned forward and tried to identify the sound, and finally I saw a figure emerge from the D concourse.

The figure was a man, African-American with salt and pepper hair and goatee, wearing a janitor’s uniform. The squeak was coming from one of the wheels of the rolling bucket he was pushing, using the handle of the mop to steer it. He crossed the polished floor of the terminal, and I watched him. He nodded at some of the people he passed, a friendly half-grin on his face. He made his way toward the bar, and his eyes fell on the grand piano. As I watched, I saw a moment of hesitation. His step checked-up, and he cast his gaze around, as if he was trying to make up his mind about something. He took one last look around, propped the mop handle against the bar, and slowly sat down at the piano.

He lifted the cover guarding the keys, and laid his dark hands on the keys. And then he began to play.

He played softly, and the notes drifted through the air like the snow outside, a tinkling of music that seemed to quiet the airport even further. I never took my eyes off him, but I could tell that everyone else was looking at him as well. The business man with the cell phone had shut up, and the little girl has stopped tapping her toe against the table.

His playing wasn’t professional, but it was good, with a slow and jazz-like movement to it. I watched his fingers as they moved across the keys, and I realized that this was just a warm-up. After a minute of this he fell into a rhythm, a structure, and it took me a moment to recognize the tune. But as soon as I did the words fell effortlessly into my mind…

I’ll be home for Christmas…

I listened, rapt, in one of the few moments in my life where my mind quiets, and the swirl of thoughts calms, and I simply am. Time seemed to slow, and I let the melody take me away, and lost myself in the graceful shift of the song. I few moments later the man’s playing slowed, the notes becoming softer, gentler, lingering, like a strand of thread so fragile it could break if the very air moves too strongly.

The song came to an end, and without thinking, I began to applaud. I wasn’t the only one. I looked around the terminal, and everyone was clapping – the business man, the woman and her little girl, the pair of young ladies exchanging smiles as they applauded. The man stood and gave a slightly embarrassed waved, grinned and nodded, and found his mop and bucket, and began to wheel them away.

I thought about going after him to shake his hand, but I decided against it. It was better to let that moment and music be itself. Slowly, I bent and grabbed my bags and started for the C concourse. And as I walked I could feel the smile lingering on my face. And I was reminded of so much I had forgotten…

I thought about my house, and the people it held. Hugging my mother, the embrace of my father, my brother’s grin and my sister’s friendly smile. I thought about waking up and spending the morning with them. I thought about the phone call to my grandmother, where we all took turns talking to her. I thought about visiting old friends that I hadn’t seen in months.

And then I realized something. I remembered that the end isn’t the point. That there is still magic to be found, even in the most unlikely of times and places. And those moments are what hold everything else together – the love, joy and hope that forms the mortar in between the milestones of your life. That you can’t get so wrapped up in what you have to do that you forget yourself, those around you, and the unlimited potential of right now. Life happens in the In-Between.

And as I walked through the airport gazing out at the beautiful spirals of snow, as I came down the jetway, and as I heard the attendant shut the plane door behind me, I realized something else…

Suddenly, I couldn’t wait to get home.

Friday, December 17, 2010

Top Ten Thoughts O' The Day (12-17-10)

10.

9.

8.

7.

6.

5.

4.

3.

2.

1. 2011 - it's going to be a good year.

Wednesday, December 8, 2010

3 STRIKES: NBC



1.
Possibly the biggest foul-up in television history. Psst. You chose the wrong guy...whoops.

2.

I might be able to understand this one. By the end of its run, I'm pretty sure Heroes was begging to be put out of its misery. But still, one of the most original shows and one of the shows with the most potential, cancelled without any wrap-up or conclusion whatsoever. Bad move.

3.
20 years. 20 YEARS. One of the greatest shows to ever grace the screen, a tent-pole series, a flagship show for NBC. Cancelled. In the middle of the series. With, again, no wrap-up or conclusion. "Screw you, L&O! We got ours! So long!"

Hey, NBC, there's a reason you're the lowest rated major network. Idiots.

EPIC QUARTERBACK SNEAK

Thursday, December 2, 2010

3 STRIKES!!! : The Green Lantern Trailer

Welcome one and all to the show.

Tonight I am debuting a brand new format here at The Ether. It's called 3 strikes, and the name of the game is taking any item of pop culture/society/internet meme and picking it apart thricely. This will allow me to voice my opinion in the most judgmental way possible, which is what you come here for, obviously. Let's get started.

Strike One: Blake Lively...as a fighter pilot?


I like Blake Lively. She's been in a handful of movies I like, and I'm happy to see her getting some more major roles, as I think she is a talented actress. Plusthere'sthewholeeyecandythingbutmovingon...I just don't find it believable to cast her as a fighter pilot. Blake Lively has the whole girl-next-door-sweetheart thing going for her, and I don't see her as the hardened military type. I think she fits perfectly as the love interest, however, and maybe this role will change my mind about her versatility.

Strike Two: THE EYES!


Okay, I can deal with the suit being digital, I really can. What I don't understand is what's going on with the STARK BLUE GHOSTEYES. Apparently I forgot the Green Lantern power that allows Hal Jordan to peer into my friggin' SOUL. Stupid. (My opinion on this is not liable to change once I see the movie)

Strike Three: The Comic-Book Character Double-Up


I don't like it when they do this, I never have. Yes, Deadpool is a relatively minor character. Personally, I thought the whole Ryan Gosling rumor was good, and I would've liked to have seen him as the Green Lantern. I have nothing against Ryan Reynolds but it's the principle of the thing. I don't really care for the fact that Chris Evans is playing Captain America, either. Although I think the Captain America movie will be infinitely better than that festering turd of a franchise they call The Fantastic Four. But I digress...

Well, that's it for this one, folks. That being said, keep in mind that these three strikes are about the trailer, not necessarily the movie itself. I will see it, and I will probably like it (unless it turns out to be another Daredevil or Ghostrider or Spiderman 3, in which case I will loathe it and actively check my watch, waiting for the moment when I can finally leave the theater...) But I don't think that will happen.

Let me know what you think of the format, and as always, your thoughts are welcome and appreciated.

Cheers.

Tuesday, November 30, 2010

Top Ten Thoughts O' The Day (11-30-10) MY BRAIN STRIKES BACK!!!

10. Man, it's been over two months since my last "Top Ten Thoughts" blog. That is far too long. The interwebs must be starving for some of my particular brand of mindless chatter. On that note, sorry for being away for so long (he says to the empty void) and I will be catching up on the backlog of blogs in my brain (alliteration!!) over the next few days, knocking the rust off my typing fingers -which, in case you were wondering, are not altogether different from my normal, every-day fingers - and gathering my blogging gusto. And if you want me to keep at it, you better leave me some comments, you hooligans.

9.
Danger Days: The True Lives of the Fabulous Killjoys, by My Chemical Romance. Get it. Listen to it. It's great.

8. This is a superb book. It's almost 700 pages long, but it feels like 200. If you like Harry Potter and Lord of the Rings, blend them together and you get this. One of the most well-written books I've had the pleasure of reading. My only gripe (which is actually a compliment) is that there is no resolution whatsoever. None. More than any other series, it feels like some one physically chopped the latter two-thirds of the book off and wrapped a cover around it. Being the first in a trilogy called the Kingkiller Chronicle, this is Day One. Day Two: The Wise Man's Fear releases in March of 2011 and I can't wait. I dread the fact that I'll have to wait years more to read Day Three.

7.
I've seen it twice, and I will see it again. It was very near perfection. I'm so excited/sad for the final film.

6.
I am completely, utterly and eternally ashamed that I played a part in helping this happen. We've made an idiot into a celebrity, folks. Now we must live with ourselves.

5.
This is the second most epic picture ever taken of me. That's right.

4.
NO NEW EPISODE THIS WEEK?? DAY RUINED.

3.
Day salvaged.

2.
Currently reading. A re-imagining of Peter Pan (He's climbing in your window, he's snatching your people up...NO!!! GET OUT OF MY HEAD!!), The Child Thief is darker and more brutal. I haven't finished it yet, but there are parts I like and parts that I don't. Some of the prose is clunky, some of it is beautiful. Nevertheless, an interesting read.

1. Toska

Russian - No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning.

I enjoy finding explanations of things that I experience, but could never put words to. The above is re-blogged from here.

Friday, November 12, 2010

NEW POEM: MERKABA

MERKABA

WATER

The Memory of Water

Waves foam on the edges of some lost shore

Thoughts ebb and flow like the tide of

Remembrance, fluid and changing

And I cannot recall, from one moment to the next,

Why I am here

Like a world in danger of being erased

By a worldwide flood

When the seas will rise, constantly changing

Yet suddenly lightning strikes

And the waters part

And the corridor is laid out before me

Walking on the bottom of the sea

Like the aisle of a gothic abbey

Leading me back toward remembering

Toward the frozen shrine of memory

My mind is a sea, all or nothing

Frozen or flowing

Desperately grasping for the surface

But longing for the depth underneath

At the risk of sinking forever

Forgotten

AIR

The Weight of Air

Wind howls through these rocks

Like the songs of monks in a lofty monastery

Or the piping of an organ, playing the final dirge

Or the chiming of church bells in the tower

Like a man desperate and dying

I have climbed to this mountaintop

To ask my question, and to say my piece

Or to seek an answer from above

Like a prophet praying on his last night

I remove my sandals

For this is holy ground

The carven columns of this temple are broken and shattered

From empty lungs I breathe my prayers to the heavens

Sending them on their skyward way with each weary breath

But they falter and fall

Too heavy are the words

Laden with the weight of all the empty moments

Like a stone, thrown, and falling back to earth

Too heavy for flight

Too solid for heaven

But there is a hidden stairway to the top of the world

And I will climb, higher and higher still

Until the open air crushes me

Or the voice of God speaks from the vacuum of

Silence

FIRE

The Book of Sacred Flame

As the ashes and the embers fall

Like a million crimson fireflies, drifting, flickering

Illuminate the scarlet path, under a burning sky

Through which a shooting star crosses overhead

I pass now through a world consumed

By that which makes ruins of cities and lovers both

The spark that ignited life is burning the world to the ground

And as the fire blazes on without

I feel the flame dying within

What was once an inferno is now a single flickering candle

In danger of going out

So when the last candle burns out

And the cathedral is finally darkened

What do we do?

For one must die, the fire or ourselves

But I can feel the searing heat of a billion hearts on fire

Then I hear a voice speak to me from within the blaze

Like revelations from a burning bush

“You shall walk through fire, and not be burned.

At the end of this path lies the Book of Sacred Flame

Written by the Hand of God, with ink of Holy Fire.

Look within, and find your Name.”

EARTH

The Fortress and The Ruin

Like a man struck blind on the lonely dirt road

I have travelled many miles to darken your door

I have fallen on my face, and crawled on hands and knees

But now the pilgrimage is over

Here I stand, my chest to bare before you

And I invite you to see just what I really am

Over leagues and legions I have walked

To ask my last question, so tell me

Is the world too much for me?

Or am I too much for the world?

See me chest, look down deep

Within the ribs, between the bones

Like the pillars of a chapel

And I have come to see

That the enemy is in the sanctuary

These bones house a fortress of stone

A beating sphere that collapses with its own gravity

Creating a cavity within me

Pulling me down to that other space

The open earth waits to swallow me whole

So destroy this vessel, devour this flesh

For we are each other’s ruin

If you’ve never dug a grave

If you’ve never sunk your hands into dark soil

Or smelled the fragrance of the earth

Then you know not yourself, nor from whence you came

But I know, and I will return

For my way lies alone

If we have no shovels, then I’ll dig with my fingers

Until they become as roots

Then lay my body in the soil, between the trees

And I will finally become one with the Truth

AETHER

Along the Lighted Path

Tonight, I will fall asleep in this world

But tomorrow, I will awake in another

I will leave to walk upon the lighted path

And disappear into the air

Into the space between spaces

Betwixt the air itself

And vanish

I abandon this vacant church

For my fiery chariot awaits

To take me upward and inward

And my spirit will unite with that which lies

Below, beneath, behind and between

The endless sea through which all things flow

What I am will become one with what is beyond

For the infinite reflects the infinitesimal reflects the infinite

I float towards the light, and I stare into the sphere before me

And I hear the voice for one last time, and the first:

“I am the Truth, and I am the Forbidden

I am the Fifth, and I am the Final

I am the Secret, and I am the Hidden

The Voice from the Light, and the Center of the Spiral

Come now, Traveller, unite with the Other

For home lies beyond, and the stars are your brothers.”

Then the light became me, and I am released

And I entered the embrace, and finally found peace


-Andrew J. Clark 2010

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